The Moon in Me Looks Back at the Moon
30 Moon Phases, thrown off the hump, Anagama fired.
Made over a full lunar cycle - from the Pink Moon on April 1st to the Flower Moon on May 1st - this work is an ode to our oldest clock and the cycles of life, death, and rebirth. The title is borrowed from Kawai Kanjiro’s poem Windows of Life. The moon as a mirror to the full spectrum of human experience - loss, repair, and the cycle that holds them both.
Shiro Oni Residency, Japan, 2026.
Remnant
‘Remnant’ sits somewhere between vessel and horn. An intrigue in objects that hold spiritual residue, and a meditation on what persists after a cycle ends.
Shiro Oni Residency, Japan, 2026.
Plinths for River Stones
Plinths for River Stones is a collection of small ceramic plinths, each holding a stone gathered from the banks of the Kanagawa River in Onishi, Japan.
Shiro Oni residency, Japan, 2026.
Sanbaseki stone on the Kanagawa river, Onishi, Japan, 2026.
The Kanagawa River, Onishi, Japan, 2026.
Terra Incanta is an ongoing body of work that began at the Royal College of Art in 2022.
It explores the relationship between body and land, and the seasonal, lunar and cosmic cycles that move through them both. Moving between root, body and vessel, the work comes together as installations that evoke liminal landscapes — celebrating the spiral as a recurring form in nature’s geometry, from the cells of a leaf and shells to galaxies and weather systems, and a symbol honoured by generations and cultures across the world.
The work continued to evolve, with a new iteration shown in Alchemy with Thrown Contemporary at Omved Gardens in 2024.
Terra Incanta
Royal College of Art Degree Show, MA Ceramics and Glass, 2023.
Wheel-thrown and coiled vessels in black anthracite stoneware.
Wheel-thrown orbs in assorted stonewares, some smoke-fired.
A later interaction of Terra Incanta for Alchemy Exhibition at Omved Gardens with Thrown Contemporary Gallery, London Craft Week and Chelsea Fringe, 2024.
