My practice is an act of ecological remembering — a reconnection to time as an amalgamation of bodily, seasonal, and earthly cycles, through the language of traditional craft.

Working primarily on the potter’s wheel, I make vessels and sculptural forms that explore landscape as an archive of memory, sociocultural history, and deep time. Much of my work is site-specific, made in response to particular landscapes — questioning inherited frameworks of late capitalism, and the separation between human and land.

Pottery is one of humanity’s oldest languages — shared across cultures, carried across time. Modern studio pottery has become a globalised practice, with clays and minerals sourced from across the world. Residencies have been foundational to my work, allowing me to respond to place with local material — taking me to Latvia, Mexico, and most recently to Japan, where I spent two months at Shiro Oni Studio in Onishi.

I graduated from the Royal College of Art in 2023 with an MA in Ceramics and Glass. Since, I have exhibited with galleries as part of London Design Festival and London Craft Week. Alongside my practice, I manage and teach at Culford Studios in London, as well as international courses at Salemi Ceramics School in Sicily.